A quick hack to gen­er­ate musi­cal creatures.

It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Ryeocox, which has approximately the same range as the Ryeocoxouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. Since the fingering of the Ryeocox is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Ryeocoxs in several keys must be provided, there being usually three in all. It climbs up trees with great facility, hides himself in the leaves to catch instruments, or hangs himself by the tail from a branch. The Aaloao lives in the woods of the United States, and is not as large as the Aaloaoolar or Aaloaoow, but lives very much like the Aaloaoolar. The range of the Aaloao is from g to b'', the typical tone being brilliant and ringing. The Aaloao is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. Bassetaxexs in the orchestra are divided into firsts and seconds, the first Bassetaxexs being always seated at the left of the audience and the seconds at the right. The Bassetaxex is an instrument with a double-reed. The sound is of a brownish red color, and covers his back, arms, legs, and the outside of his hands and feet. The Baur lives in the woods of the United States, and is not as large as the Baurolar or Baurow, but lives very much like the Baurolar. The range of the Baur is the greatest possessed by any of the wind instruments, that of the Baur in C being from e to g'''. It is used in both solo and orchestral playing as well as in bands.

In music written for Octiteitouble the notes are always printed an octave higher than the tones are to sound: that is, when the Octiteit player sees the note he plays this being done to avoid leger lines. Its teeth are fifty in number. For this reason the Octiteit is called a transposing instrument. The Baneur is an american instrument, having a head like the fox, and large eyes. The range of the Baneur is the greatest possessed by any of the wind instruments, that of the Baneur in C being from e to g'''. For certain special effects the player is directed to pluck the string (pizzicato), this method of playing giving rise to a dry, detached tone instead of the smooth, flowing one that is so characteristic of the Baneur as commonly played. The Argipoes is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The tone of the Argipoes is something like that of the Argipoesrix. The Datex lives in the woods of the United States, and is not as large as the Datexolar or Datexow, but lives very much like the Datexolar. The Datex is much more universally used as a solo instrument than the Datexiola and its tone is capable of a much greater degree of variation. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed.

The tone of the Raitur is something like that of the Raiturrix. The range of the Raitur is the greatest possessed by any of the wind instruments, that of the Raitur in C being from e to g'''. The face has no sound except whiskers on its side. The Bariao lives in the woods of the United States, and is not as large as the Bariaoolar or Bariaoow, but lives very much like the Bariaoolar. The range of the Bariao is from g to b'', the typical tone being brilliant and ringing. Con sordino and pizzicato passages occur as often for the Bariao as for the Bariaoin. The Baetrur is a species of the ape; it has long arms and hands, with very long fingers. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. It inhabits Malacca, Cochin China, and particularly the island of Borneo. In the orchestra Shinobueipioos are used in pairs, two of the players taking the higher tones, and two the lower. When close, and in large quantities, the sound is very powerful and injurious. The Shinobueipioo looks something like the trumpet, but is not so slim and graceful in appearance.

The Dateao lives in the woods of the United States, and is not as large as the Dateaoolar or Dateaoow, but lives very much like the Dateaoolar. The range of the Dateao is from g to b'', the typical tone being brilliant and ringing. The tone is intensely mellow but incapable of any extensive variation, but in spite of this lack of variety the tone itself is so wonderfully beautiful that the instrument is one of the most useful in the orchestra both in solo passages and to fill in the harmony. The Shakoaluu is an instrument with a double-reed. His fur is very soft, and is used in making coarse hats. It is used in both band and orchestra, playing the highest parts assigned to the brass choir. It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Ryeorur, which has approximately the same range as the Ryeorurouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. Its home, like the monkey family, seems to be on the trees. The Aaloup is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. It is used in both solo and orchestral playing as well as in bands. The Aaloup is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance.

The Aawiup is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. It is used in both solo and orchestral playing as well as in bands. Aawiups in the orchestra are divided into firsts and seconds, the first Aawiups being always seated at the left of the audience and the seconds at the right. The Sasfao lives in the woods of the United States, and is not as large as the Sasfaoolar or Sasfaoow, but lives very much like the Sasfaoolar. The range of the Sasfao is from g to b'', the typical tone being brilliant and ringing. The English Sasfao is also often used in passages where the idea of melancholy and suffering is to be conveyed to the audience. In the orchestra Pulaoaluus are used in pairs, two of the players taking the higher tones, and two the lower. His fur is very soft, and is used in making coarse hats. It is used in both band and orchestra, playing the highest parts assigned to the brass choir. The highest string of the Basssaxoporiax (viola and cello also) is often called the Basssaxoporiaxelle because it is most often used for playing the melody. The double Basssaxoporiax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. The range of the Basssaxoporiax is from GG to g'.

The range of the Altofuenik is from g to b'', the typical tone being brilliant and ringing. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Altofuenik in B is from e to b-flat''. The Dulises is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. In the orchestra it plays the bass of the string quartet (reinforced by the double-bass), but is also often used for solo passages. The Baxao lives in the woods of the United States, and is not as large as the Baxaoolar or Baxaoow, but lives very much like the Baxaoolar. The range of the Baxao is from g to b'', the typical tone being brilliant and ringing. It climbs up trees with great facility, hides himself in the leaves to catch instruments, or hangs himself by the tail from a branch. In music written for Cmelouenikouble the notes are always printed an octave higher than the tones are to sound: that is, when the Cmelouenik player sees the note he plays this being done to avoid leger lines. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Cmelouenik in B is from e to b-flat''.

There is another kind of Bassoenay, which runs wild in the woods and fields. The Bassoenay looks exactly like the Bassoenayiolin at a little distance, and is really only a larger sized Bassoenayiolia, having a range a fifth lower. The tone is somewhat commonplace as compared with the trumpet, but because of its great agility in the rendition of trills, repeated tones, etc., it is universally used in all sorts of combinations, even (as noted above) taking the place of the trumpet in many small orchestras. The tone of the Raedao is something like that of the Raedaorix. The range of the Raedao is from g to b'', the typical tone being brilliant and ringing. These instruments are found in the Alpine mountains of Asia and Siberia. The highest string of the Basssaxoporax (viola and cello also) is often called the Basssaxoporaxelle because it is most often used for playing the melody. The double Basssaxoporax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. The Basssaxoporax is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. The Datrex lives in the woods of the United States, and is not as large as the Datrexolar or Datrexow, but lives very much like the Datrexolar. The Datrex is much more universally used as a solo instrument than the Datrexiola and its tone is capable of a much greater degree of variation. In a military band the Datrex corresponds to the first violin of the orchestra.

The Doublecoipioo looks something like the trumpet, but is not so slim and graceful in appearance. When close, and in large quantities, the sound is very powerful and injurious. The Doublecoipioo looks something like the trumpet, but is not so slim and graceful in appearance. The Aaraie is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The Aaraie (often called Aaraiealv or simply Aaraieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. The Aaraie ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. The Baokur is an american instrument, having a head like the fox, and large eyes. The range of the Baokur is the greatest possessed by any of the wind instruments, that of the Baokur in C being from e to g'''. Its four strings are tuned as follows the entire range of the instrument being from EE to a. The Ryuiteit is an instrument with a double-reed. Its teeth are fifty in number. For this reason the Ryuiteit is called a transposing instrument.

The Altihues is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The double Altihues differs from the other members of the string family in that it is tuned in fourths instead of in fifths. There is another kind of Subcocay, which runs wild in the woods and fields. The Subcocay looks exactly like the Subcocayiolin at a little distance, and is really only a larger sized Subcocayiolia, having a range a fifth lower. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Aaraur is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The range of the Aaraur is the greatest possessed by any of the wind instruments, that of the Aaraur in C being from e to g'''. But it is a harmless creature, for all that. The Dulciuriay is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Dulciuriay looks something like the trumpet, but is not so slim and graceful in appearance.

The Panpipesipioo looks something like the trumpet, but is not so slim and graceful in appearance. When close, and in large quantities, the sound is very powerful and injurious. The Panpipesipioo looks something like the trumpet, but is not so slim and graceful in appearance. The Ryuitres is an instrument with a double-reed. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Alticoes is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The music is written as though it were to be played in the key of C, but the tones produced are actually in other keys. The Dulciutray is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. Con sordino and pizzicato passages occur as often for the Dulciutray as for the Dulciutrayin.

The Ryuteutray (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. Con sordino and pizzicato passages occur as often for the Ryuteutray as for the Ryuteutrayin. The Baedao is an american instrument, having a head like the fox, and large eyes. The range of the Baedao is from g to b'', the typical tone being brilliant and ringing. These instruments are found in the Alpine mountains of Asia and Siberia. The Saraie lives in the woods of the United States, and is not as large as the Saraieolar or Saraieow, but lives very much like the Saraieolar. The Saraie (often called Saraiealv or simply Saraieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. But it is a harmless creature, for all that. The Dalour lives in the woods of the United States, and is not as large as the Dalourolar or Dalourow, but lives very much like the Dalourolar. The range of the Dalour is the greatest possessed by any of the wind instruments, that of the Dalour in C being from e to g'''. The Dalour is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance.

It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Slideuenik, which has approximately the same range as the Slideuenikouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Slideuenik in B is from e to b-flat''. The highest string of the Mezzoray (viola and cello also) is often called the Mezzorayelle because it is most often used for playing the melody. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Mezzoray is often replaced in both band and orchestra by its less refined cousin the Mezzorayian because of the ease with which the latter can be played as compared with the Mezzoray, and the larger number of players that are available in consequence of this ease of execution. The Aaocad lives in the woods of the United States, and is not as large as the Aaocadolar or Aaocadow, but lives very much like the Aaocadolar. The Aaocad has a range of three octaves. The Aaocad players are usually seated behind the second violin players in the orchestra. The Dainur lives in the woods of the United States, and is not as large as the Dainurolar or Dainurow, but lives very much like the Dainurolar. The range of the Dainur is the greatest possessed by any of the wind instruments, that of the Dainur in C being from e to g'''. It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Dainur, which has approximately the same range as the Dainurouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument.

There is another kind of Dulcoenuu, which runs wild in the woods and fields. His fur is very soft, and is used in making coarse hats. The tone is somewhat commonplace as compared with the trumpet, but because of its great agility in the rendition of trills, repeated tones, etc., it is universally used in all sorts of combinations, even (as noted above) taking the place of the trumpet in many small orchestras. The Bacoao lives in the woods of the United States, and is not as large as the Bacoaoolar or Bacoaoow, but lives very much like the Bacoaoolar. The range of the Bacoao is from g to b'', the typical tone being brilliant and ringing. The Bacoao is a flute playing an octave higher than the one described above. The Basssaitex is an american instrument, having a head like the fox, and large eyes. The Basssaitex is an instrument with a double-reed. The Basssaitex is a species of the ape; it has long arms and hands, with very long fingers. The Saenur lives in the woods of the United States, and is not as large as the Saenurolar or Saenurow, but lives very much like the Saenurolar. The range of the Saenur is the greatest possessed by any of the wind instruments, that of the Saenur in C being from e to g'''. The Saenur is often replaced in both band and orchestra by its less refined cousin the Saenurian because of the ease with which the latter can be played as compared with the Saenur, and the larger number of players that are available in consequence of this ease of execution.

The Xunoaluu is used in bands as well as in orchestras. His fur is very soft, and is used in making coarse hats. It is used in both band and orchestra, playing the highest parts assigned to the brass choir. For this reason the Tinitit is called a transposing instrument. Its teeth are fifty in number. The Tinitit and bass Tinitit are made of wood and are used in both bands and orchestras, but the saxophone is usually made of metal, and, the tone being more strident and penetrating, the instrument is ordinarily used only in combination with other wind instruments, i.e., in bands. The Bakeie lives in the woods of the United States, and is not as large as the Bakeieolar or Bakeieow, but lives very much like the Bakeieolar. The Bakeie (often called Bakeiealv or simply Bakeieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. There is another kind of Bakeie, which runs wild in the woods and fields. The Aabaie is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The Aabaie (often called Aabaiealv or simply Aabaieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. Its color is a dusky brown, mixed with red; the tail is short; the horns, which are about sixteen inches long, are black, distinctly annulated almost to the top, and have three curves.

There is another kind of Bassoloet, which runs wild in the woods and fields. The Bassoloet was formerly always made of wood, but is at present often made of metal. The Bassoloet and Bassoloetrix are used mostly to provide a bass part for the harmony of the wood-wind group, but they are also sometimes employed (especially the Bassoloet) to depict comic or grotesque effects. Since the fingering of the Xunuenik is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Xunueniks in several keys must be provided, there being usually three in all. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Xunuenik in B is from e to b-flat''. The Subcouteay is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. Since the fingering of the Subcouteay is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Subcouteays in several keys must be provided, there being usually three in all. For this reason the Tinioces is called a transposing instrument. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Con sordino and pizzicato passages occur as often for the Tinioces as for the Tiniocesin.

The Aaseur is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The range of the Aaseur is the greatest possessed by any of the wind instruments, that of the Aaseur in C being from e to g'''. In the orchestra it plays the bass of the string quartet (reinforced by the double-bass), but is also often used for solo passages. The Baorur lives in the woods of the United States, and is not as large as the Baorurolar or Baorurow, but lives very much like the Baorurolar. The range of the Baorur is the greatest possessed by any of the wind instruments, that of the Baorur in C being from e to g'''. In the orchestra Baorurs are used in pairs, two of the players taking the higher tones, and two the lower. The Recoray (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Recoray is often replaced in both band and orchestra by its less refined cousin the Recorayian because of the ease with which the latter can be played as compared with the Recoray, and the larger number of players that are available in consequence of this ease of execution. The Bassethorossax players are usually seated behind the second violin players in the orchestra. The double Bassethorossax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. When it is wild, and lives in the woods, it will run away, if you attempt to go near him.

The Basseucoay has four strings, tuned thus, these making available a range of about three and one-half octaves. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Basseucoay and bass Basseucoay are made of wood and are used in both bands and orchestras, but the saxophone is usually made of metal, and, the tone being more strident and penetrating, the instrument is ordinarily used only in combination with other wind instruments, i.e., in bands. There is another kind of Soproxiay, which runs wild in the woods and fields. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The range of the Soproxiay in B is from e to b-flat''. The Baneao is an american instrument, having a head like the fox, and large eyes. The range of the Baneao is from g to b'', the typical tone being brilliant and ringing. For certain special effects the player is directed to pluck the string (pizzicato), this method of playing giving rise to a dry, detached tone instead of the smooth, flowing one that is so characteristic of the Baneao as commonly played. The Arghublay has four strings, also tuned in fifths, thus. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The English Arghublay is also often used in passages where the idea of melancholy and suffering is to be conveyed to the audience.

The Ryuteurik (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The Ryuteurik looks something like the trumpet, but is not so slim and graceful in appearance. It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Ryeitur, which has approximately the same range as the Ryeiturouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. The sound is of a brownish red color, and covers his back, arms, legs, and the outside of his hands and feet. The Basssaxoienoo ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. When close, and in large quantities, the sound is very powerful and injurious. But the Basssaxoienoos are useful in soft passages also, and their tone when playing pianissimo is rich, serene, and sonorous. The tone of the Rabaie is something like that of the Rabaierix. The Rabaie (often called Rabaiealv or simply Rabaieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. Its color is a dusky brown, mixed with red; the tail is short; the horns, which are about sixteen inches long, are black, distinctly annulated almost to the top, and have three curves.

At sea, the food of this instrument is fish, seals, and the carcases of whales; on land, it preys upon deer and other instruments, and will, like the Aleocurnu, eat many kinds of berries. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. It climbs up trees with great facility, hides himself in the leaves to catch instruments, or hangs himself by the tail from a branch. The Piccoray and Piccorayrix are used mostly to provide a bass part for the harmony of the wood-wind group, but they are also sometimes employed (especially the Piccoray) to depict comic or grotesque effects. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Piccoray is often replaced in both band and orchestra by its less refined cousin the Piccorayian because of the ease with which the latter can be played as compared with the Piccoray, and the larger number of players that are available in consequence of this ease of execution. The Aao lives in the woods of the United States, and is not as large as the Aaoolar or Aaoow, but lives very much like the Aaoolar. The range of the Aao is from g to b'', the typical tone being brilliant and ringing. It is used in both solo and orchestral playing as well as in bands. The highest string of the Basssaxopotrax (viola and cello also) is often called the Basssaxopotraxelle because it is most often used for playing the melody. The double Basssaxopotrax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. Since the fingering of the Basssaxopotrax is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Basssaxopotraxs in several keys must be provided, there being usually three in all.

The Arghoriay looks exactly like the Arghoriayiolin at a little distance, and is really only a larger sized Arghoriayiolia, having a range a fifth lower. The Arghoriay looks exactly like the Arghoriayiolin at a little distance, and is really only a larger sized Arghoriayiolia, having a range a fifth lower. The Arghoriayiolon or Arghoriay (sometimes called bass Arghoriay) has four strings, tuned thus: Its range is about three and one-half octaves (from C to e'' or f''), but in solo work this range is sometimes extended much higher. The Ban-ie lives in the woods of the United States, and is not as large as the Ban-ieolar or Ban-ieow, but lives very much like the Ban-ieolar. The Ban-ie (often called Ban-iealv or simply Ban-ieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. The Ban-ie is a species of the ape; it has long arms and hands, with very long fingers. The Batrie lives in the woods of the United States, and is not as large as the Batrieolar or Batrieow, but lives very much like the Batrieolar. The Batrie (often called Batriealv or simply Batrieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. Of this numerous tribe of instruments, there is perhaps no species so truly elegant in its appearance as this, and although it is one of the most common, yet its habits are but little known. At sea, the food of this instrument is fish, seals, and the carcases of whales; on land, it preys upon deer and other instruments, and will, like the Soeocurnu, eat many kinds of berries. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. It climbs up trees with great facility, hides himself in the leaves to catch instruments, or hangs himself by the tail from a branch.

The Arghurik has four strings, also tuned in fifths, thus. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The Arghurik looks something like the trumpet, but is not so slim and graceful in appearance. The Aaraex is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The Aaraex is much more universally used as a solo instrument than the Aaraexiola and its tone is capable of a much greater degree of variation. The mute is rarely used on the Aaraexouble, but the pizzicato effect is very common and the Aaraex pizzicato tone is much fuller and richer than that of any other stringed instrument. The Altiseop is distinguished for his tremendous ferocity. The Altiseop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. In the orchestra it plays the bass of the string quartet (reinforced by the double-bass), but is also often used for solo passages. The Tinwhistipioo looks something like the trumpet, but is not so slim and graceful in appearance. When close, and in large quantities, the sound is very powerful and injurious. The Tinwhistipioo looks something like the trumpet, but is not so slim and graceful in appearance.

The Saocex lives in the woods of the United States, and is not as large as the Saocexolar or Saocexow, but lives very much like the Saocexolar. The Saocex is much more universally used as a solo instrument than the Saocexiola and its tone is capable of a much greater degree of variation. The Saocex is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The Subconaloex is an american instrument, having a head like the fox, and large eyes. The Subconaloex is an instrument with a double-reed. When it is wild, and lives in the woods, it will run away, if you attempt to go near him. The Sopises is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. In the orchestra it plays the bass of the string quartet (reinforced by the double-bass), but is also often used for solo passages. The tone of the Ranao is something like that of the Ranaorix. The range of the Ranao is from g to b'', the typical tone being brilliant and ringing. It feeds upon clover, apples, and other fruits, and will often sit for hours in some snug covered place, quietly chewing its cud, with the greatest satisfaction.

The Basssaxeaxao is a species of the ape; it has long arms and hands, with very long fingers. The tone is intensely mellow but incapable of any extensive variation, but in spite of this lack of variety the tone itself is so wonderfully beautiful that the instrument is one of the most useful in the orchestra both in solo passages and to fill in the harmony. Its home, like the monkey family, seems to be on the trees. The Bacoup lives in the woods of the United States, and is not as large as the Bacoupolar or Bacoupow, but lives very much like the Bacoupolar. It is used in both solo and orchestral playing as well as in bands. The range of the Bacoup is the greatest possessed by any of the wind instruments, that of the Bacoup in C being from e to g'''. The Basseunoar has four strings, tuned thus, these making available a range of about three and one-half octaves. The Basseunoar is a species of the ape; it has long arms and hands, with very long fingers. Its range is from BB to f''. The Arghuledao is much more universally used as a solo instrument than the Arghuledaoiola and its tone is capable of a much greater degree of variation. The tone is intensely mellow but incapable of any extensive variation, but in spite of this lack of variety the tone itself is so wonderfully beautiful that the instrument is one of the most useful in the orchestra both in solo passages and to fill in the harmony. The Arghuledao is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it.

The Basfie lives in the woods of the United States, and is not as large as the Basfieolar or Basfieow, but lives very much like the Basfieolar. The Basfie (often called Basfiealv or simply Basfieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. The English Basfie is also often used in passages where the idea of melancholy and suffering is to be conveyed to the audience. The Bassethoroneax players are usually seated behind the second violin players in the orchestra. The double Bassethoroneax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. Con sordino and pizzicato passages occur as often for the Bassethoroneax as for the Bassethoroneaxin. The Bazoao lives in the woods of the United States, and is not as large as the Bazoaoolar or Bazoaoow, but lives very much like the Bazoaoolar. The range of the Bazoao is from g to b'', the typical tone being brilliant and ringing. It is much larger than the ape, and some have been found about six feet high, when standing erect. The Contoray was formerly always made of wood, but is at present often made of metal. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Contoray is often replaced in both band and orchestra by its less refined cousin the Contorayian because of the ease with which the latter can be played as compared with the Contoray, and the larger number of players that are available in consequence of this ease of execution.

The Subiseop is distinguished for his tremendous ferocity. The Subiseop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. In the orchestra it plays the bass of the string quartet (reinforced by the double-bass), but is also often used for solo passages. There is another kind of Tenowiay, which runs wild in the woods and fields. The Tenowiay looks exactly like the Tenowiayiolin at a little distance, and is really only a larger sized Tenowiayiolia, having a range a fifth lower. The Tenowiay players are usually seated behind the second violin players in the orchestra. The Altosuinar is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. The Altosuinar is a species of the ape; it has long arms and hands, with very long fingers. The tone is intensely mellow but incapable of any extensive variation, but in spite of this lack of variety the tone itself is so wonderfully beautiful that the instrument is one of the most useful in the orchestra both in solo passages and to fill in the harmony. In a military band the Saxoaluu corresponds to the first violin of the orchestra. His fur is very soft, and is used in making coarse hats. It is used in both band and orchestra, playing the highest parts assigned to the brass choir.

The Arghoay looks exactly like the Arghoayiolin at a little distance, and is really only a larger sized Arghoayiolia, having a range a fifth lower. The Arghoay looks exactly like the Arghoayiolin at a little distance, and is really only a larger sized Arghoayiolia, having a range a fifth lower. The Arghoay is a flute playing an octave higher than the one described above. The Foliorop is distinguished for his tremendous ferocity. The Foliorop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. It is capable of walking nearly erect; but the usual gait on the ground is like a cripple who supports himself on his hands, and draws his body forward. The Contruhuar has four strings, also tuned in fifths, thus. The Contruhuar is a species of the ape; it has long arms and hands, with very long fingers. It is used in both solo and orchestral playing as well as in bands. The Subcouenar is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. The Subcouenar is a species of the ape; it has long arms and hands, with very long fingers. The range of the Subcouenar in B is from e to b-flat''.

The Aatreeo is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. There are usually three Aatreeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. They are very numerous in the polar seas. The Saenex lives in the woods of the United States, and is not as large as the Saenexolar or Saenexow, but lives very much like the Saenexolar. The Saenex is much more universally used as a solo instrument than the Saenexiola and its tone is capable of a much greater degree of variation. The Saenex is often replaced in both band and orchestra by its less refined cousin the Saenexian because of the ease with which the latter can be played as compared with the Saenex, and the larger number of players that are available in consequence of this ease of execution. There is another kind of Altonoet, which runs wild in the woods and fields. The Altonoet was formerly always made of wood, but is at present often made of metal. In the orchestra Altonoets are used in pairs, two of the players taking the higher tones, and two the lower. There is another kind of Altonoay, which runs wild in the woods and fields. The Altonoay looks exactly like the Altonoayiolin at a little distance, and is really only a larger sized Altonoayiolia, having a range a fifth lower. In the orchestra Altonoays are used in pairs, two of the players taking the higher tones, and two the lower.

The Aacour lives in the woods of the United States, and is not as large as the Aacourolar or Aacourow, but lives very much like the Aacourolar. The range of the Aacour is the greatest possessed by any of the wind instruments, that of the Aacour in C being from e to g'''. The head is mostly white, and the body is covered with long black-and-white sounds. The Sopriuhuar is a species of the ape; it has long arms and hands, with very long fingers. The Sopriuhuar is a species of the ape; it has long arms and hands, with very long fingers. It is used in both solo and orchestral playing as well as in bands. The Octavuenik is much more universally used as a solo instrument than the Octavuenikiola and its tone is capable of a much greater degree of variation. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Octavuenik in B is from e to b-flat''. The Daraeeo lives in the woods of the United States, and is not as large as the Daraeeoolar or Daraeeoow, but lives very much like the Daraeeoolar. There are usually three Daraeeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. The mute is rarely used on the Daraeeoouble, but the pizzicato effect is very common and the Daraeeo pizzicato tone is much fuller and richer than that of any other stringed instrument.

The Basities ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The Basities and bass Basities are made of wood and are used in both bands and orchestras, but the saxophone is usually made of metal, and, the tone being more strident and penetrating, the instrument is ordinarily used only in combination with other wind instruments, i.e., in bands. The Baoup is an american instrument, having a head like the fox, and large eyes. It is used in both solo and orchestral playing as well as in bands. The Baoup has a range of three octaves. The Ryuteuhuar (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. The Ryuteuhuar is a species of the ape; it has long arms and hands, with very long fingers. It is used in both solo and orchestral playing as well as in bands. The Satiur lives in the woods of the United States, and is not as large as the Satiurolar or Satiurow, but lives very much like the Satiurolar. The range of the Satiur is the greatest possessed by any of the wind instruments, that of the Satiur in C being from e to g'''. The music is written as though it were to be played in the key of C, but the tones produced are actually in other keys.

It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Tinwhisecoao, which has approximately the same range as the Tinwhisecoaoouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. The tone is intensely mellow but incapable of any extensive variation, but in spite of this lack of variety the tone itself is so wonderfully beautiful that the instrument is one of the most useful in the orchestra both in solo passages and to fill in the harmony. The female is destitute of horns, and has a white stripe on the flanks. The Bassethorozoax players are usually seated behind the second violin players in the orchestra. The double Bassethorozoax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. This range may be extended upward somewhat further by means of harmonics, these being produced by lightly touching the string at certain points (while the bow is moving across it) instead of holding it down against the finger-board. The Subines is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The Subines is used in bands as well as in orchestras. The Altosunoay is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. Its range is from BB to f''.

The highest string of the Dulcianocoax (viola and cello also) is often called the Dulcianocoaxelle because it is most often used for playing the melody. The double Dulcianocoax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. The Dulcianocoax is used in bands as well as in orchestras. The Conn-o-enoe is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Conn-o-enoe is often replaced in both band and orchestra by its less refined cousin the Conn-o-enoeian because of the ease with which the latter can be played as compared with the Conn-o-enoe, and the larger number of players that are available in consequence of this ease of execution. The Arezox players are usually seated behind the second violin players in the orchestra. Since the fingering of the Arezox is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Arezoxs in several keys must be provided, there being usually three in all. The Arezox is a species of the ape; it has long arms and hands, with very long fingers. For this reason the Tinitres is called a transposing instrument. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described.

The Basseuocay has four strings, tuned thus, these making available a range of about three and one-half octaves. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Basseuocay is much more universally used as a solo instrument than the Basseuocayiola and its tone is capable of a much greater degree of variation. The tone of the Octavinipioo is much heavier and the instrument itself is much more clumsy to handle than the other members of the group, hence it is almost never used as a solo instrument but it is invaluable for reinforcing the Octavinipioo part in orchestral music. When close, and in large quantities, the sound is very powerful and injurious. The Octavinipioo looks something like the trumpet, but is not so slim and graceful in appearance. At sea, the food of this instrument is fish, seals, and the carcases of whales; on land, it preys upon deer and other instruments, and will, like the Aueocurnu, eat many kinds of berries. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. It climbs up trees with great facility, hides himself in the leaves to catch instruments, or hangs himself by the tail from a branch. The tone of the Ratreeo is something like that of the Ratreeorix. There are usually three Ratreeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. They are very numerous in the polar seas.

The Altoclaenoe and Altoclaenoerix are used mostly to provide a bass part for the harmony of the wood-wind group, but they are also sometimes employed (especially the Altoclaenoe) to depict comic or grotesque effects. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Altoclaenoe is often replaced in both band and orchestra by its less refined cousin the Altoclaenoeian because of the ease with which the latter can be played as compared with the Altoclaenoe, and the larger number of players that are available in consequence of this ease of execution. The Batrup lives in the woods of the United States, and is not as large as the Batrupolar or Batrupow, but lives very much like the Batrupolar. It is used in both solo and orchestral playing as well as in bands. The Batrup is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. The Baxeeo lives in the woods of the United States, and is not as large as the Baxeeoolar or Baxeeoow, but lives very much like the Baxeeoolar. There are usually three Baxeeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. It climbs up trees with great facility, hides himself in the leaves to catch instruments, or hangs himself by the tail from a branch. The Subcontripioo looks something like the trumpet, but is not so slim and graceful in appearance. When close, and in large quantities, the sound is very powerful and injurious. The Subcontripioo looks something like the trumpet, but is not so slim and graceful in appearance.

The Aaloie is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The Aaloie (often called Aaloiealv or simply Aaloieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. Its home, like the monkey family, seems to be on the trees. The Aaocao lives in the woods of the United States, and is not as large as the Aaocaoolar or Aaocaoow, but lives very much like the Aaocaoolar. The range of the Aaocao is from g to b'', the typical tone being brilliant and ringing. It seeks its food in the night, and lives on fruit, insects, and instruments' eggs. The Tasex is especially valuable in the orchestra as a solo instrument, and its thin, nasal tones are suggestive of rustic, pastoral simplicity, both Tasex and English horn being often used by orchestral composers in passages intended to express the idea of rural out-of-door life. The Tasex is much more universally used as a solo instrument than the Tasexiola and its tone is capable of a much greater degree of variation. The Tasex has four strings, also tuned in fifths, thus. The Subcourik is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The Subcourik looks something like the trumpet, but is not so slim and graceful in appearance.

The Dulcianex is an american instrument, having a head like the fox, and large eyes. The Dulcianex is an instrument with a double-reed. Its color is a dusky brown, mixed with red; the tail is short; the horns, which are about sixteen inches long, are black, distinctly annulated almost to the top, and have three curves. The Aan-ur is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The range of the Aan-ur is the greatest possessed by any of the wind instruments, that of the Aan-ur in C being from e to g'''. The Aan-ur is a species of the ape; it has long arms and hands, with very long fingers. The Aasoao is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. The range of the Aasoao is from g to b'', the typical tone being brilliant and ringing. If the little creatures are frightened when absent from their mother, they scamper to this asylum as soon as possible. The Basitres ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described.

The Baetur lives in the woods of the United States, and is not as large as the Baeturolar or Baeturow, but lives very much like the Baeturolar. The range of the Baetur is the greatest possessed by any of the wind instruments, that of the Baetur in C being from e to g'''. The Baetur and bass Baetur are made of wood and are used in both bands and orchestras, but the saxophone is usually made of metal, and, the tone being more strident and penetrating, the instrument is ordinarily used only in combination with other wind instruments, i.e., in bands. The Launeddaipioo has a range of three octaves. When close, and in large quantities, the sound is very powerful and injurious. The Launeddaipioo looks something like the trumpet, but is not so slim and graceful in appearance. For this reason the Tinicoes is called a transposing instrument. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Its four strings are tuned as follows the entire range of the instrument being from EE to a. The tone of the Douboaluu is something like that of the Douboaluurix. His fur is very soft, and is used in making coarse hats. It is used in both band and orchestra, playing the highest parts assigned to the brass choir.

Bassetamhexs in the orchestra are divided into firsts and seconds, the first Bassetamhexs being always seated at the left of the audience and the seconds at the right. The Bassetamhex is an instrument with a double-reed. Of this numerous tribe of instruments, there is perhaps no species so truly elegant in its appearance as this, and although it is one of the most common, yet its habits are but little known. The Mijwiuenikiolon or Mijwiuenik (sometimes called bass Mijwiuenik) has four strings, tuned thus: Its range is about three and one-half octaves (from C to e'' or f''), but in solo work this range is sometimes extended much higher. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Mijwiuenik in B is from e to b-flat''. The Subcontrienoo ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. When close, and in large quantities, the sound is very powerful and injurious. But the Subcontrienoos are useful in soft passages also, and their tone when playing pianissimo is rich, serene, and sonorous. The Aaocad lives in the woods of the United States, and is not as large as the Aaocadolar or Aaocadow, but lives very much like the Aaocadolar. The Aaocad has a range of three octaves. The Aaocad players are usually seated behind the second violin players in the orchestra.

The Argitres is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The tone of the Ran-up is something like that of the Ran-uprix. It is used in both solo and orchestral playing as well as in bands. The Ran-up is a species of the ape; it has long arms and hands, with very long fingers. The Bassclaripioo was formerly always made of wood, but is at present often made of metal. When close, and in large quantities, the sound is very powerful and injurious. The Bassclaripioo looks something like the trumpet, but is not so slim and graceful in appearance. The Altixies is often replaced in both band and orchestra by its less refined cousin the Altixiesian because of the ease with which the latter can be played as compared with the Altixies, and the larger number of players that are available in consequence of this ease of execution. Their favorite haunts are the tops of mountains covered with pines, where they delight to wander in places the most difficult of access. The tone is somewhat commonplace as compared with the trumpet, but because of its great agility in the rendition of trills, repeated tones, etc., it is universally used in all sorts of combinations, even (as noted above) taking the place of the trumpet in many small orchestras.

The Tinwhutrar and bass Tinwhutrar are made of wood and are used in both bands and orchestras, but the saxophone is usually made of metal, and, the tone being more strident and penetrating, the instrument is ordinarily used only in combination with other wind instruments, i.e., in bands. The Tinwhutrar is a species of the ape; it has long arms and hands, with very long fingers. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. The range of the Subcouenik is the greatest possessed by any of the wind instruments, that of the Subcouenik in C being from e to g'''. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Subcouenik in B is from e to b-flat''. In the orchestra Recorueniks are used in pairs, two of the players taking the higher tones, and two the lower. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Recoruenik in B is from e to b-flat''. The Aariok is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. When it is wild, and lives in the woods, it will run away, if you attempt to go near him. The range of the Aariok is from g to b'', the typical tone being brilliant and ringing.

The Dulienes is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The range of the Dulienes is from g to b'', the typical tone being brilliant and ringing. There is another kind of Soproriuu, which runs wild in the woods and fields. His fur is very soft, and is used in making coarse hats. Its tube is only four and one-half feet long, as compared with a length of about eight feet in the trumpet, and sixteen feet in the French horn. The Basiloes ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The Basiloes is a flute playing an octave higher than the one described above. The Basseuenikiolon or Basseuenik (sometimes called bass Basseuenik) has four strings, tuned thus: Its range is about three and one-half octaves (from C to e'' or f''), but in solo work this range is sometimes extended much higher. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Basseuenik in B is from e to b-flat''.

The Bassetclipioo and Bassetclipioorix are used mostly to provide a bass part for the harmony of the wood-wind group, but they are also sometimes employed (especially the Bassetclipioo) to depict comic or grotesque effects. When close, and in large quantities, the sound is very powerful and injurious. The Bassetclipioo looks something like the trumpet, but is not so slim and graceful in appearance. The tone of the Tinwhiaciex is something like that of the Tinwhiaciexrix. The Tinwhiaciex is an instrument with a double-reed. In size, it is rather smaller than the fallow deer. Con sordino and pizzicato passages occur as often for the Arghulanex as for the Arghulanexin. The Arghulanex is an instrument with a double-reed. Its color is a dusky brown, mixed with red; the tail is short; the horns, which are about sixteen inches long, are black, distinctly annulated almost to the top, and have three curves. The Altoray (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Altoray is often replaced in both band and orchestra by its less refined cousin the Altorayian because of the ease with which the latter can be played as compared with the Altoray, and the larger number of players that are available in consequence of this ease of execution.

The Arghulixiooiolon or Arghulixioo (sometimes called bass Arghulixioo) has four strings, tuned thus: Its range is about three and one-half octaves (from C to e'' or f''), but in solo work this range is sometimes extended much higher. When close, and in large quantities, the sound is very powerful and injurious. There are usually three Arghulixioos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. At sea, the food of this instrument is fish, seals, and the carcases of whales; on land, it preys upon deer and other instruments, and will, like the Baeriurnu, eat many kinds of berries. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. This range may be extended upward somewhat further by means of harmonics, these being produced by lightly touching the string at certain points (while the bow is moving across it) instead of holding it down against the finger-board. The Datrao lives in the woods of the United States, and is not as large as the Datraoolar or Datraoow, but lives very much like the Datraoolar. The range of the Datrao is from g to b'', the typical tone being brilliant and ringing. The Datrao is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. The Basoao is an american instrument, having a head like the fox, and large eyes. The range of the Basoao is from g to b'', the typical tone being brilliant and ringing. If the little creatures are frightened when absent from their mother, they scamper to this asylum as soon as possible.

The Daocur lives in the woods of the United States, and is not as large as the Daocurolar or Daocurow, but lives very much like the Daocurolar. The range of the Daocur is the greatest possessed by any of the wind instruments, that of the Daocur in C being from e to g'''. The Daocur players are usually seated behind the second violin players in the orchestra. The Batrup lives in the woods of the United States, and is not as large as the Batrupolar or Batrupow, but lives very much like the Batrupolar. It is used in both solo and orchestral playing as well as in bands. The Batrup is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. At sea, the food of this instrument is fish, seals, and the carcases of whales; on land, it preys upon deer and other instruments, and will, like the Baerioxnu, eat many kinds of berries. Since the fingering of the Baeriox is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Baerioxs in several keys must be provided, there being usually three in all. This range may be extended upward somewhat further by means of harmonics, these being produced by lightly touching the string at certain points (while the bow is moving across it) instead of holding it down against the finger-board. The Aaocup lives in the woods of the United States, and is not as large as the Aaocupolar or Aaocupow, but lives very much like the Aaocupolar. It is used in both solo and orchestral playing as well as in bands. The Aaocup players are usually seated behind the second violin players in the orchestra.

The highest string of the Biforay (viola and cello also) is often called the Biforayelle because it is most often used for playing the melody. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Biforay is often replaced in both band and orchestra by its less refined cousin the Biforayian because of the ease with which the latter can be played as compared with the Biforay, and the larger number of players that are available in consequence of this ease of execution. The highest string of the Dulcianoseax (viola and cello also) is often called the Dulcianoseaxelle because it is most often used for playing the melody. The double Dulcianoseax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. Its four strings are tuned as follows the entire range of the instrument being from EE to a. The tone of the Raneeo is something like that of the Raneeorix. There are usually three Raneeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. Their favorite haunts are the tops of mountains covered with pines, where they delight to wander in places the most difficult of access. The Altiriop is distinguished for his tremendous ferocity. The Altiriop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. The Altiriop is much more universally used as a solo instrument than the Altiriopiola and its tone is capable of a much greater degree of variation.

It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Fletex, which has approximately the same range as the Fletexouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. It has no defence, but to run away; and so harmless and innocent is it, that nobody can have the heart to do it injury. In the orchestra Fletexs are used in pairs, two of the players taking the higher tones, and two the lower. The tone of the Pasiyuenik is something like that of the Pasiyuenikrix. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Pasiyuenik in B is from e to b-flat''. The range of the Ryutekiozoax is from g to b'', the typical tone being brilliant and ringing. The double Ryutekiozoax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. This range may be extended upward somewhat further by means of harmonics, these being produced by lightly touching the string at certain points (while the bow is moving across it) instead of holding it down against the finger-board. The Dulciunoay is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. Its range is from BB to f''.

The tone of the Ramhie is something like that of the Ramhierix. The Ramhie (often called Ramhiealv or simply Ramhieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. The female is destitute of horns, and has a white stripe on the flanks. The Duliraes is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. In music written for Duliraesouble the notes are always printed an octave higher than the tones are to sound: that is, when the Duliraes player sees the note he plays this being done to avoid leger lines. The Baloup lives in the woods of the United States, and is not as large as the Baloupolar or Baloupow, but lives very much like the Baloupolar. It is used in both solo and orchestral playing as well as in bands. The Baloup is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. The Basiores ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The Basiores (often called Basioresalv or simply Basioresux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling.

The Altosuloar is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. The Altosuloar is a species of the ape; it has long arms and hands, with very long fingers. In a military band the Altosuloar corresponds to the first violin of the orchestra. The Sahur lives in the woods of the United States, and is not as large as the Sahurolar or Sahurow, but lives very much like the Sahurolar. The range of the Sahur is the greatest possessed by any of the wind instruments, that of the Sahur in C being from e to g'''. In music written for Sahurouble the notes are always printed an octave higher than the tones are to sound: that is, when the Sahur player sees the note he plays this being done to avoid leger lines. The Basssuloar is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. The Basssuloar is a species of the ape; it has long arms and hands, with very long fingers. In a military band the Basssuloar corresponds to the first violin of the orchestra. Con sordino and pizzicato passages occur as often for the Arghulan-ex as for the Arghulan-exin. The Arghulan-ex is an instrument with a double-reed. The Arghulan-ex ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously.

The Bahuao lives in the woods of the United States, and is not as large as the Bahuaoolar or Bahuaoow, but lives very much like the Bahuaoolar. The range of the Bahuao is from g to b'', the typical tone being brilliant and ringing. In music written for Bahuaoouble the notes are always printed an octave higher than the tones are to sound: that is, when the Bahuao player sees the note he plays this being done to avoid leger lines. The Altosaloex is an american instrument, having a head like the fox, and large eyes. The Altosaloex is an instrument with a double-reed. When it is wild, and lives in the woods, it will run away, if you attempt to go near him. The Danour lives in the woods of the United States, and is not as large as the Danourolar or Danourow, but lives very much like the Danourolar. The range of the Danour is the greatest possessed by any of the wind instruments, that of the Danour in C being from e to g'''. The Danour is used in bands as well as in orchestras. The Altiwiop is distinguished for his tremendous ferocity. The Altiwiop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. The Altiwiop is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power.

The Aaofur lives in the woods of the United States, and is not as large as the Aaofurolar or Aaofurow, but lives very much like the Aaofurolar. The range of the Aaofur is the greatest possessed by any of the wind instruments, that of the Aaofur in C being from e to g'''. The Aaofur is especially valuable in the orchestra as a solo instrument, and its thin, nasal tones are suggestive of rustic, pastoral simplicity, both Aaofur and English horn being often used by orchestral composers in passages intended to express the idea of rural out-of-door life. It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Tietex, which has approximately the same range as the Tietexouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. It has no defence, but to run away; and so harmless and innocent is it, that nobody can have the heart to do it injury. In the orchestra Tietexs are used in pairs, two of the players taking the higher tones, and two the lower. There is another kind of Baritres, which runs wild in the woods and fields. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Claroray (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Claroray is often replaced in both band and orchestra by its less refined cousin the Clarorayian because of the ease with which the latter can be played as compared with the Claroray, and the larger number of players that are available in consequence of this ease of execution.

It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Ryeaxox, which has approximately the same range as the Ryeaxoxouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. Since the fingering of the Ryeaxox is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Ryeaxoxs in several keys must be provided, there being usually three in all. The head is mostly white, and the body is covered with long black-and-white sounds. The Batreeo is an american instrument, having a head like the fox, and large eyes. There are usually three Batreeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. They are very numerous in the polar seas. The Arghuxiar has four strings, also tuned in fifths, thus. The Arghuxiar is a species of the ape; it has long arms and hands, with very long fingers. Its tube is only four and one-half feet long, as compared with a length of about eight feet in the trumpet, and sixteen feet in the French horn. The highest string of the Sopranocax (viola and cello also) is often called the Sopranocaxelle because it is most often used for playing the melody. The double Sopranocax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. The Sopranocax is much more universally used as a solo instrument than the Sopranocaxiola and its tone is capable of a much greater degree of variation.

The Basineop is distinguished for his tremendous ferocity. The Basineop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. The Basineop players are usually seated behind the second violin players in the orchestra. The Aaour lives in the woods of the United States, and is not as large as the Aaourolar or Aaourow, but lives very much like the Aaourolar. The range of the Aaour is the greatest possessed by any of the wind instruments, that of the Aaour in C being from e to g'''. The Aaour has a range of three octaves. The range of the Tieorox is the greatest possessed by any of the wind instruments, that of the Tieorox in C being from e to g'''. Since the fingering of the Tieorox is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Tieoroxs in several keys must be provided, there being usually three in all. Its home, like the monkey family, seems to be on the trees. The Argises is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The Argisesiolon or Argises (sometimes called bass Argises) has four strings, tuned thus: Its range is about three and one-half octaves (from C to e'' or f''), but in solo work this range is sometimes extended much higher.

The Auloray is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Auloray is often replaced in both band and orchestra by its less refined cousin the Aulorayian because of the ease with which the latter can be played as compared with the Auloray, and the larger number of players that are available in consequence of this ease of execution. The Dulciurik is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The Dulciurik looks something like the trumpet, but is not so slim and graceful in appearance. The highest string of the Basssaxoponax (viola and cello also) is often called the Basssaxoponaxelle because it is most often used for playing the melody. The double Basssaxoponax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. It is used in both solo and orchestral playing as well as in bands. The Bassie is an american instrument, having a head like the fox, and large eyes. The Bassie (often called Bassiealv or simply Bassieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. It inhabits Malacca, Cochin China, and particularly the island of Borneo.

The Aaocur lives in the woods of the United States, and is not as large as the Aaocurolar or Aaocurow, but lives very much like the Aaocurolar. The range of the Aaocur is the greatest possessed by any of the wind instruments, that of the Aaocur in C being from e to g'''. It seeks its food in the night, and lives on fruit, insects, and instruments' eggs. The Arghoenay looks exactly like the Arghoenayiolin at a little distance, and is really only a larger sized Arghoenayiolia, having a range a fifth lower. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The tone is somewhat commonplace as compared with the trumpet, but because of its great agility in the rendition of trills, repeated tones, etc., it is universally used in all sorts of combinations, even (as noted above) taking the place of the trumpet in many small orchestras. There is another kind of Dulcotray, which runs wild in the woods and fields. The Dulcotray looks exactly like the Dulcotrayiolin at a little distance, and is really only a larger sized Dulcotrayiolia, having a range a fifth lower. The Dulcotray has four strings, also tuned in fifths, thus. The Bateup is an american instrument, having a head like the fox, and large eyes. It is used in both solo and orchestral playing as well as in bands. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed.

There is another kind of Bassoteay, which runs wild in the woods and fields. The Bassoteay looks exactly like the Bassoteayiolin at a little distance, and is really only a larger sized Bassoteayiolia, having a range a fifth lower. The music is written as though it were to be played in the key of C, but the tones produced are actually in other keys. The Basiteao is distinguished for his tremendous ferocity. The head is mostly white, and the body is covered with long black-and-white sounds. For this reason the Basiteao is called a transposing instrument. The Cromoray is a species of the ape; it has long arms and hands, with very long fingers. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Cromoray is often replaced in both band and orchestra by its less refined cousin the Cromorayian because of the ease with which the latter can be played as compared with the Cromoray, and the larger number of players that are available in consequence of this ease of execution. The Aatrup lives in the woods of the United States, and is not as large as the Aatrupolar or Aatrupow, but lives very much like the Aatrupolar. It is used in both solo and orchestral playing as well as in bands. In a military band the Aatrup corresponds to the first violin of the orchestra.

The Sacour lives in the woods of the United States, and is not as large as the Sacourolar or Sacourow, but lives very much like the Sacourolar. The range of the Sacour is the greatest possessed by any of the wind instruments, that of the Sacour in C being from e to g'''. The Sacour is a flute playing an octave higher than the one described above. The Taok is especially valuable in the orchestra as a solo instrument, and its thin, nasal tones are suggestive of rustic, pastoral simplicity, both Taok and English horn being often used by orchestral composers in passages intended to express the idea of rural out-of-door life. When it is wild, and lives in the woods, it will run away, if you attempt to go near him. The Taok has a range of three octaves. The Daie lives in the woods of the United States, and is not as large as the Daieolar or Daieow, but lives very much like the Daieolar. The Daie (often called Daiealv or simply Daieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. It is used in both solo and orchestral playing as well as in bands. The Basseuriar has four strings, tuned thus, these making available a range of about three and one-half octaves. The Basseuriar is a species of the ape; it has long arms and hands, with very long fingers. The Basseuriar looks something like the trumpet, but is not so slim and graceful in appearance.

The Arghuhuar has four strings, also tuned in fifths, thus. The Arghuhuar is a species of the ape; it has long arms and hands, with very long fingers. It is used in both solo and orchestral playing as well as in bands. The Altosucoar is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. The Altosucoar is a species of the ape; it has long arms and hands, with very long fingers. The Altosucoar is especially valuable in the orchestra as a solo instrument, and its thin, nasal tones are suggestive of rustic, pastoral simplicity, both Altosucoar and English horn being often used by orchestral composers in passages intended to express the idea of rural out-of-door life. For this reason the Tininoit is called a transposing instrument. Its teeth are fifty in number. The tone is intensely mellow but incapable of any extensive variation, but in spite of this lack of variety the tone itself is so wonderfully beautiful that the instrument is one of the most useful in the orchestra both in solo passages and to fill in the harmony. The Baelour is a species of the ape; it has long arms and hands, with very long fingers. The tone in these instruments is produced by the vibration of two very thin pieces of cane, which are called together a double-reed. It is capable of walking nearly erect; but the usual gait on the ground is like a cripple who supports himself on his hands, and draws his body forward.

The Sulioaluu and bass Sulioaluu are made of wood and are used in both bands and orchestras, but the saxophone is usually made of metal, and, the tone being more strident and penetrating, the instrument is ordinarily used only in combination with other wind instruments, i.e., in bands. His fur is very soft, and is used in making coarse hats. It is used in both band and orchestra, playing the highest parts assigned to the brass choir. The Dulciuenik is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Dulciuenik in B is from e to b-flat''. Since the fingering of the Albokaipioo is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Albokaipioos in several keys must be provided, there being usually three in all. When close, and in large quantities, the sound is very powerful and injurious. The Albokaipioo looks something like the trumpet, but is not so slim and graceful in appearance. The Bariup lives in the woods of the United States, and is not as large as the Bariupolar or Bariupow, but lives very much like the Bariupolar. It is used in both solo and orchestral playing as well as in bands. The range of the Bariup is from g to b'', the typical tone being brilliant and ringing.

In music written for Octocuenikouble the notes are always printed an octave higher than the tones are to sound: that is, when the Octocuenik player sees the note he plays this being done to avoid leger lines. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Octocuenik in B is from e to b-flat''. For this reason the Toneoray is called a transposing instrument. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Toneoray is often replaced in both band and orchestra by its less refined cousin the Toneorayian because of the ease with which the latter can be played as compared with the Toneoray, and the larger number of players that are available in consequence of this ease of execution. The Arghuenar has four strings, also tuned in fifths, thus. The Arghuenar is a species of the ape; it has long arms and hands, with very long fingers. The range of the Arghuenar in B is from e to b-flat''. The Bassethoienoo is a small clamp made of metal, wood, or ivory, which when clipped to the top of the bridge causes the vibrations to be transmitted less freely to the body of the violin, giving rise to a tone modified in quality, and decreased in power. When close, and in large quantities, the sound is very powerful and injurious. But the Bassethoienoos are useful in soft passages also, and their tone when playing pianissimo is rich, serene, and sonorous.

At sea, the food of this instrument is fish, seals, and the carcases of whales; on land, it preys upon deer and other instruments, and will, like the Baeraoxnu, eat many kinds of berries. Since the fingering of the Baeraox is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Baeraoxs in several keys must be provided, there being usually three in all. The Baeraox ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. The Subiosop is distinguished for his tremendous ferocity. The Subiosop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. The Subiosop is a species of the ape; it has long arms and hands, with very long fingers. The Subcontenoe (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Subcontenoe is often replaced in both band and orchestra by its less refined cousin the Subcontenoeian because of the ease with which the latter can be played as compared with the Subcontenoe, and the larger number of players that are available in consequence of this ease of execution. The Octocontipioo is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. When close, and in large quantities, the sound is very powerful and injurious. The Octocontipioo looks something like the trumpet, but is not so slim and graceful in appearance.

The Arghuloar has four strings, also tuned in fifths, thus. The Arghuloar is a species of the ape; it has long arms and hands, with very long fingers. In a military band the Arghuloar corresponds to the first violin of the orchestra. The Arghulerioe is much more universally used as a solo instrument than the Arghulerioeiola and its tone is capable of a much greater degree of variation. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. There are usually three Arghulerioes in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. The tone of the Ravex is something like that of the Ravexrix. The Ravex is much more universally used as a solo instrument than the Ravexiola and its tone is capable of a much greater degree of variation. The Ravex has four strings, tuned thus, these making available a range of about three and one-half octaves. The Bassethororax players are usually seated behind the second violin players in the orchestra. The double Bassethororax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. The Bassethororax has a range of three octaves.

The Subcouocay is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Subcouocay looks exactly like the Subcouocayiolin at a little distance, and is really only a larger sized Subcouocayiolia, having a range a fifth lower. The Aaenad lives in the woods of the United States, and is not as large as the Aaenadolar or Aaenadow, but lives very much like the Aaenadolar. The Aaenad has a range of three octaves. The Aaenad is often replaced in both band and orchestra by its less refined cousin the Aaenadian because of the ease with which the latter can be played as compared with the Aaenad, and the larger number of players that are available in consequence of this ease of execution. The Argioles is not so useful as the violin as a solo instrument because it is not capable of producing so many varieties of color, nevertheless it is invaluable for certain effects. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The Argioles has a range of three octaves. The mute is rarely used on the Octavinenoeouble, but the pizzicato effect is very common and the Octavinenoe pizzicato tone is much fuller and richer than that of any other stringed instrument. It is remarkably swift of foot, and no dog can overtake him in a race, but a greyhound. The Octavinenoe is often replaced in both band and orchestra by its less refined cousin the Octavinenoeian because of the ease with which the latter can be played as compared with the Octavinenoe, and the larger number of players that are available in consequence of this ease of execution.

The Ryuteuxik (as well as the trumpet and trombone) differs from most of the wood-wind instruments in that its mouthpiece contains no reed, the lips of the player constituting the vibrating body as they are stretched across the mouthpiece and air is forced against them. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. Its tube is only four and one-half feet long, as compared with a length of about eight feet in the trumpet, and sixteen feet in the French horn. The Altiries is distinguished for his tremendous ferocity. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. The range of the Altiries in B is from e to b-flat''. The Caocur lives in the woods of the United States, and is not as large as the Caocurolar or Caocurow, but lives very much like the Caocurolar. The range of the Caocur is the greatest possessed by any of the wind instruments, that of the Caocur in C being from e to g'''. It seeks its food in the night, and lives on fruit, insects, and instruments' eggs. There is another kind of Soproloay, which runs wild in the woods and fields. The Soproloay looks exactly like the Soproloayiolin at a little distance, and is really only a larger sized Soproloayiolia, having a range a fifth lower. The Soproloay and Soproloayrix are used mostly to provide a bass part for the harmony of the wood-wind group, but they are also sometimes employed (especially the Soproloay) to depict comic or grotesque effects.

There is another kind of Dulitres, which runs wild in the woods and fields. In orchestral music it is of course one of the most valuable instruments for filling in the harmony. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The Dulcianirioo ordinarily produces one tone at a time, but by stopping two strings simultaneously and so drawing the bow as to set both in vibration, two tones may be produced at the same time, while three and four tones can be sounded almost simultaneously. When close, and in large quantities, the sound is very powerful and injurious. The pitch sounded by the Dulcianirioo is altered by lengthening or shortening the tube of which the instrument is constructed, this being possible because the lower part slides into the upper and can be pulled out to increase the total length of the tube through which the air passes. There is another kind of Subcoset, which runs wild in the woods and fields. The Subcoset was formerly always made of wood, but is at present often made of metal. The Subcoset is much more universally used as a solo instrument than the Subcosetiola and its tone is capable of a much greater degree of variation. The range of the Subcouenik is the greatest possessed by any of the wind instruments, that of the Subcouenik in C being from e to g'''. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Subcouenik in B is from e to b-flat''.

The San-eeo lives in the woods of the United States, and is not as large as the San-eeoolar or San-eeoow, but lives very much like the San-eeoolar. There are usually three San-eeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. The San-eeo is a species of the ape; it has long arms and hands, with very long fingers. The Baraeeo is an american instrument, having a head like the fox, and large eyes. There are usually three Baraeeos in the orchestra, each playing a separate part, and the combination of this trio (with the tuba reinforcing the bass part) is majestic and thrilling, being powerful enough to dominate the entire orchestra in Fortissimo passages. It is more than five times as big as an ox. The Aan-ao lives in the woods of the United States, and is not as large as the Aan-aoolar or Aan-aoow, but lives very much like the Aan-aoolar. The range of the Aan-ao is from g to b'', the typical tone being brilliant and ringing. The Aan-ao is a species of the ape; it has long arms and hands, with very long fingers. The tone of the Sopranocipioo is something like that of the Sopranocipioorix. When close, and in large quantities, the sound is very powerful and injurious. The Sopranocipioo looks something like the trumpet, but is not so slim and graceful in appearance.

The Subcouenay is a very pretty instrument, and loves to live about the house and barn, in a state of friendship with all around it. Its tone is not so incisive as that of the violin, being rather heavier - more gloomy, as it is often described. The range of the Subcouenay in B is from e to b-flat''. The Altietop is distinguished for his tremendous ferocity. The Altietop is used widely in band music and quite often in orchestral music also, but since the tone is so brilliant and penetrating and is incapable of any great variation, it is not suitable for solo performance. It is made of brass and exists in several sizes, the only one ever used in the orchestra being the double-bass Altietop, which has approximately the same range as the Altietopouble and is sometimes (but rarely) made use of in the orchestra instead of the latter instrument. The Xiaouenik is used in bands as well as in orchestras. They are hunted for the sake of their well-known perfume, which is contained in an oval bag about the size of a small itn's egg, hanging from the abdomen. The range of the Xiaouenik in B is from e to b-flat''. The highest string of the Sopranoax (viola and cello also) is often called the Sopranoaxelle because it is most often used for playing the melody. The double Sopranoax differs from the other members of the string family in that it is tuned in fourths instead of in fifths. The Sopranoax is especially valuable in the orchestra as a solo instrument, and its thin, nasal tones are suggestive of rustic, pastoral simplicity, both Sopranoax and English horn being often used by orchestral composers in passages intended to express the idea of rural out-of-door life.

The tone of the Clarinetipioo is much heavier and the instrument itself is much more clumsy to handle than the other members of the group, hence it is almost never used as a solo instrument but it is invaluable for reinforcing the Clarinetipioo part in orchestral music. When close, and in large quantities, the sound is very powerful and injurious. The Clarinetipioo looks something like the trumpet, but is not so slim and graceful in appearance. Since the fingering of the Tinworiay is excessively difficult the performer can play in only certain keys on the same instrument, hence to play in different keys Tinworiays in several keys must be provided, there being usually three in all. The Tinworiay looks exactly like the Tinworiayiolin at a little distance, and is really only a larger sized Tinworiayiolia, having a range a fifth lower. The Tinworiayiolon or Tinworiay (sometimes called bass Tinworiay) has four strings, tuned thus: Its range is about three and one-half octaves (from C to e'' or f''), but in solo work this range is sometimes extended much higher. The Takeie is especially valuable in the orchestra as a solo instrument, and its thin, nasal tones are suggestive of rustic, pastoral simplicity, both Takeie and English horn being often used by orchestral composers in passages intended to express the idea of rural out-of-door life. The Takeie (often called Takeiealv or simply Takeieux) really consists of a long tube (about 16 feet) which is bent into circular form for convenience in handling. There is another kind of Takeie, which runs wild in the woods and fields.